Natalie Green - "ABBE"

After releasing his debut EP, Natalie Green Is My Lover, in 2017, Natalie Green has been dedicating most of his time to assisting his friends with the creation of their music and videos. Fortunately, as 2018 comes to a close, the talented artist returns his focus - at least publicly - to the liberation of his own content.

Green's latest release comes in the form of "ABBE", a record featuring a nostalgic sounding vibe coupled with a modernized energy. One might catch bits and pieces of the song that bring to mind fleeting memories of different classic rock bands - a testimony to Green's ability to find inspiration while still presenting a final product that is distinctively his own. With it's airy, trance-inducing sound, "ABBE" finds a way to leave listeners with a simultaneously active yet lethargic headspace.

"ABBE" captivates listeners with overpowering production, the sonically gratifying instrumentation forcing Green's vocals to float in the background. By no means is this a bad thing either, as it adds a unique element to "ABBE", drawing even closer attention from the listener as they get lost in the music while attempting to capture Green's lyrical content.

"ABBE" is available now on all major streaming platforms, including Apple Music and Spotify.

Preview the new music below.

Comments

Abiyah - "Champion Plaque" (feat. Ceschi) [prod. Possible Address]

Some artists are adept at creating music that blends genres, the resulting product sounding unique in its own right. Others, like Abiyah and Ceschi , transcend past the mere blending of styles to offer up sonic manifestations that manage to defy any sort of genre all together. Despite countless journalistic attempts to compartmentalize via labels, the music stands on its own foundation, blasting through the speakers free of any label or definitive denomination. This genre-less creative approach is strikingly evident with the Cincinnati-based artist's "Champion Plaque", a new single featuring Ceschi that was first imagined in 2015. The free-flowing delivery of vivid, picturesque storytelling from both artists acknowledges the saturation of inauthentic people permeating our daily lives. Abundant in subject matter that is relatable while also forcing listeners to take an uncomfortable look in the mirror, "Champion Plaque" is a call to action, tearing away at...

Grieves - "Beethoven"

After dropping off a visual last week, Grieves is back with yet another fresh cut in the form of "Beethoven". Grieves floats over the smooth, atmospheric production, lacing "Beethoven" with confident delivery as he demonstrates a growing sense of self-awareness. And this is saying something, as longtime listeners will recognize the already introspective nature of his extensive catalogue of music. With "Beethoven", the Seattle-based wordsmith plants his focus firmly on his own vision and craft, silencing and rising above the naysayers casting doubt on the man and his music. The record is littered with layered wordplay and substance, once again putting on display the depth of talent that exists within Grieves and the art he creates. Hopefully this string of new music is a sign that we'll be on the receiving end of a project from the Rhymesayers-representative this year, his first since the release of Running Wild in 2017. "Beethoven...

Raz Simone - "Clout" [prod. Anthony Danza] (Video)

Fresh off the heels of another trip around the sun, Raz Simone comes through with his first visuals of 2018. In typical Raz fashion, the Black Umbrella founder holds nothing back on "Clout", addressing a myriad of subject matter with a confidently calm yet simultaneously aggressive delivery. Simone has always been one of my favorite artists to cover, thanks in large part to the layered presentation of his content. With "Clout", an essay could be composed on both the track itself and the accompanying video - while both seem almost overly simple upon first glance/listen, the song and video cover a lot of ground over the course of five and a half minutes. The visuals are split between two backdrops - Raz being "studied" in a research facility and Raz rapping in the street. The vibe of the production on "Clout" syncs up perfectly with the dreary, simple visual of Simone in the rainy streets...appropriately carrying a black umbrella. It's...

dopeness is what i like the most

Search This Blog