Skip to main content

Sol - "The Kids" [prod. Elan Wright, Nima Skeemz & Teal Douville]


Sol kicks off his latest release with a simple phrase: real shit. And he proceeds to lay out a fundamentally simple - and very real - manifesto regarding the state of the world we live in today and the changes that must be made in order to leave a better world for the kids to inhabit.

While the Seattle-based Sol has proven himself highly capable of creating uplifting, energetic party anthems, he takes a different route with "The Kids". Although the vibes are still positive, and the track is saturated with hope rising from the despair, Sol's latest drop comes from a place of dissatisfaction with a number of issues facing our society and world right now. Rather than wallow in the misery of the climate around him, Solzilla picks himself up and holds himself accountable - change, after all, starts with the individual.

From there, through our personal actions, the waves of change have the potential to ripple out and take hold of others. Indeed, this is how man moves mountains.

"The Kids" will resonate with fans due to it's socially conscious and thought-provoking content, presented through Sol's distinctive delivery. It's a call to action, motivating listeners to look in the mirror and begin taking real steps to invoke change in the world. Being a keyboard warrior or a hashtag activist is easy - but stepping up, changing the way you live and actively moving through life with the intentions of thinking, living and acting out of love is how we create a better world for the kids and for everyone else around us.

Sol included this message along with the release of the song, giving listeners some context regarding the inspiration for "The Kids":

 

"The Kids" features production from Elan Wright, Nima Skeemz and Teal Douville. The sonically pleasing trombone comes courtesy of Greg Kramer, and Camila Recchio assists with the backup vocals.

Listen to "The Kids" below.
 

Comments

Popular posts from this blog

Raz Simone - "Clout" [prod. Anthony Danza] (Video)

Fresh off the heels of another trip around the sun, Raz Simone comes through with his first visuals of 2018. In typical Raz fashion, the Black Umbrella founder holds nothing back on "Clout", addressing a myriad of subject matter with a confidently calm yet simultaneously aggressive delivery. Simone has always been one of my favorite artists to cover, thanks in large part to the layered presentation of his content. With "Clout", an essay could be composed on both the track itself and the accompanying video - while both seem almost overly simple upon first glance/listen, the song and video cover a lot of ground over the course of five and a half minutes. The visuals are split between two backdrops - Raz being "studied" in a research facility and Raz rapping in the street. The vibe of the production on "Clout" syncs up perfectly with the dreary, simple visual of Simone in the rainy streets...appropriately carrying a black umbrella. It's...

Ian Matthew - "Ashtray"

Beyond creating good music, the most vital characteristic in any artist is - in my opinion - growth. And growth comes in many forms but, more often than not, the greatest growth comes from recognizing shortcomings; from falling and getting back up, learning from the highs and lows of the evolutionary process. "Ashtray" is the first joint I've heard from Ian Matthew that makes me feel like dude is truly stepping into his own artistically. And I mean that with the utmost respect. The latest drop from the CT-based artist features Ian taking a few big steps back from a stereotypical, bar-heavy hip-hop sound, instead embracing a smooth style that is highlighted by some passionate crooning. And, man, it works really  well. Backed by some light acoustic production, Ian is able to allow the emotion to emanate from his vocals, capturing the attention of the listener with his raw delivery. There are enough emcees filling records with catch-as-catch-can lyrical prowess, ma...

Raz Simone - "Jose" (feat. Anthony Danza) [prod. Paul Judge] (Video)

If the last couple weeks are any indication, it would appear safe to presume the Black Umbrella family is ready to unleash an onslaught of content upon the masses this year. It became evidently more clear when, after dropping the cinematic " Clout ", Raz Simone returned with two new videos in just about as many days.  The first release came in the form of the Paul Judge-produced "Jose", a plug-feuled anthem accompanied by another Jacob Hill-shot visual experience. Filmed on location in Guadalajara, Mexico, "Jose" showcases Simone and Anthony Danza laying their fiery verses in all the places most tourists would be unable to visit. Apparently, someone in Black Umbrella knows the plug... "To by my friend, I should make you have a wavier signed, 'Cause anytime I'm out, it could be danger, danger time" In the heart and soul of cartel country, Simone uses the video to once again reveal and put on display just how "rea...