Skip to main content

Tobe Nwigwe - "Ode To Fat" (feat. David Michael Wyatt) [prod. LaNell Grant] (Video)


Love, of course, is not an easy road to travel. But, when the love is real and when the love is divine, all the challenges, hardships and trials prove to be worth it. Real love - true love - always prevails.

As the visual descends from the Heavens, Tobe Nwigwe begins the dulcet delivery of his prose. With a stoic demeanor, he stands with his Queen, as an enchanting dance installment takes place in the field upon which they stand. Nwigwe chronicles the journey that is his soul connection with Fat while the camera pans out. With "Ode To Fat", Tobe Nwigwe reveals the blessing from God that is the pregnancy of his wife. And this, he states, is "the most genuine form of happiness [he's] felt." From there, the latest #getTWISTEDsundays release is like an angelic embrace from the parents-to-be, the words of Nwigwe containing such an incomparable purity and bliss that it's near impossible not to catch goosebumps from this release.

Saturated with artistic expression yet never a bit ostentatious, everything about "Ode To Fat" is both sonically and aesthetically beautiful. As all the team's previous releases have demonstrated, there is a serious level of thought and creativity put into each new visual experience. "Ode To Fat" continues that level of raw expression, showcasing a humble celebration of life and love fit for a true Queen and her King. From the choreography and wardrobe to the various decor featured throughout the video, every scene feels as though it's serving a specific purpose. There may be a lot going on but nothing feels like wasted movement or wasted space - it's precise, intricate and well calculated.

The juxtaposition of Nwigwe with David Michael Wyatt's vocals, as well as the inclusion of the mutual serenade between Tobe and Fat later on in the video, creates a balanced blend of masculine/feminine as well as Heavenly/Earthly energies. It's an interesting sonic composition - one that I admittedly struggle to find the right words to properly capture - but the vocals feel as though they are multidimensional, weaving between two worlds at once. And LaNell Grant's production provides Nwigwe, Fat and Wyatt with the chariot on which their vocals are able to ride so smoothly. Like the visual components of "Ode To Fat", everything just fits and makes sense in regards to the sonic aspects of the new record.

Praise God for the lessons and the blessings. Here's to health, help and happiness for Tobe, Fat and their baby.

Experience "Ode To Fat" below.

[Edit: Watch "Ode To Fat" on YouTube.]

 

Comments

Popular posts from this blog

Abiyah - "Champion Plaque" (feat. Ceschi) [prod. Possible Address]

Some artists are adept at creating music that blends genres, the resulting product sounding unique in its own right. Others, like Abiyah and Ceschi , transcend past the mere blending of styles to offer up sonic manifestations that manage to  defy any sort of genre all together. Despite countless journalistic attempts to compartmentalize via labels, the music stands on its own foundation, blasting through the speakers free of any label or definitive denomination. This genre-less creative approach is strikingly evident with the Cincinnati-based artist's "Champion Plaque", a new single featuring Ceschi that was first imagined in 2015. The free-flowing delivery of vivid, picturesque storytelling from both artists acknowledges the saturation of inauthentic people permeating our daily lives. Abundant in subject matter that is relatable while also forcing listeners to take an uncomfortable look in the mirror, "Champion Plaque" is a call to action, tearing away at...

Grieves - "Beethoven"

After dropping off a visual last week, Grieves is back with yet another fresh cut in the form of "Beethoven". Grieves floats over the smooth, atmospheric production, lacing "Beethoven" with confident delivery as he demonstrates a growing sense of self-awareness. And this is saying something, as longtime listeners will recognize the already introspective nature of his extensive catalogue of music. With "Beethoven", the Seattle-based wordsmith plants his focus firmly on his own vision and craft, silencing and rising above the naysayers casting doubt on the man and his music. The record is littered with layered wordplay and substance, once again putting on display the depth of talent that exists within Grieves and the art he creates. Hopefully this string of new music is a sign that we'll be on the receiving end of a project from the Rhymesayers-representative this year, his first since the release of  Running Wild in 2017.  "Beethoven...

Raz Simone - "Clout" [prod. Anthony Danza] (Video)

Fresh off the heels of another trip around the sun, Raz Simone comes through with his first visuals of 2018. In typical Raz fashion, the Black Umbrella founder holds nothing back on "Clout", addressing a myriad of subject matter with a confidently calm yet simultaneously aggressive delivery. Simone has always been one of my favorite artists to cover, thanks in large part to the layered presentation of his content. With "Clout", an essay could be composed on both the track itself and the accompanying video - while both seem almost overly simple upon first glance/listen, the song and video cover a lot of ground over the course of five and a half minutes. The visuals are split between two backdrops - Raz being "studied" in a research facility and Raz rapping in the street. The vibe of the production on "Clout" syncs up perfectly with the dreary, simple visual of Simone in the rainy streets...appropriately carrying a black umbrella. It's...